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This makes the present issue of a hitherto unreleased recording of the Vingt Regards all the more significant:.
“His use of birdsong is much more sophisticated than any other composer in terms of the species he represented, the interpretation of song, and the notation.
I am hugely excited about hearing the piece, and this is likely to be the last premiere of a complete mature orchestral movement by Messiaen.
“Birdsong was a fascination of his throughout his life, but he became more rigorous and scientific in his approach from the 1950s onwards.
The work, for piano, several soloists and orchestra, was to respond to an official order for the centenary of Claude Debussy, in 1962.
The trip to Japan by Olivier Messiaen and Yvonne Loriod in the summer of 1962 disrupted the development of this concerto.